| Inner Farne, just visible on the horizon in this picture taken from the ramparts around Bamburgh Castle |
I noticed a couple kneel down by a nesting Eider to get a closer look and a nice photo; all I heard then was (something like) "ah what a sweet little duck".The man reached over to pet the duck which, no surprise here, gave him a long and hard bite. This was followed by a stream pure Anglo-Saxon invective that Cuthbert himself might have understood and the man hopping around being consoled by his partner. Ouch!
At some level the attraction of petting any cute looking animal is almost too great to resist, wild or not and regardless of the consequences; but this made me think about our modern relationship with wildlife, one that is nowadays for most people conducted mainly through the medium of a TV screen. Not reality but "hyperreality", which leads me to...
Umberto Eco's Travels in Hyperreality which I read almost 25 years ago. I still remember many of the chapters, each of them a short essay on a chosen theme. His dissection of the movie Casablanca, his (re)presentation of the Superman 'myth' (replaying the story of Jesus in a modern American context - his arrival heralded by a star, a superior being with human fallibility, etc), and, of course, hyperreality itself.
So, in the realty of TV and film everything is more real than reality itself. He cites the example of American tourists who prefer the mechanical alligators of Disneyland and the 'certainty' of the experience ("we will see an alligator") to the real Florida everglades. Many of us in North West Europe also have a hyperreal relationship with our environment and nature. The TV wildlife experience can be more satisfactory than that of the wild; you are guaranteed to see the animals and plants exhibiting all aspects of their behaviour in a kind of hyperreal environment.
It is not only the animals. In hyperreality deadly creatures are confronted by heroic presenters and rendered impotent; this is simply reinforcing the age old paradigm of "man's dominion over nature" - which, as well as the 'heat of the chase', may be why we love it so much. I am afraid that at some level it is like watching children rushing around trying to catch the pigeons in Trafalgar Square only in this case there is no parent to tell them to "stop harassing the poor creatures". I also don't see enough respect being shown for the animals themselves.
In the hyperreal world, natural born killers turn out to be devoted and caring parents and the gore of the kill is often edited out. Nowadays life for these animals is presented as a 'struggle for survival' in which, against all odds, they prevail. Whilst I notice that there is much less said in current presentations about the impact we make on their habitats and environments - too depressing I suppose (people just got tired of hearing about the loss of the rain forest and started to reach for the zapper).
| The marvellous Steve Backshall of the BBCTV programme 'Deadly 60' (but could just as well be Freke Vonk of Dutch TV) puts another wild animal in its place somewhere in Costa Rica: "...look at my big croc..." |
Hyperreal wildlife does give us problems - it clearly encourages the idea that "wildlife is doing fine". Politicians watch TV too - ask yourself why presently they do nothing for nature? Okay there are plenty of other reasons but this doesn't help. It also gives us a 'skewed' idea about these creatures and makes them 'less wild' in the popular mind, more accessible and potentially less worthy of protection. Should we be worried?
Well, biodiversity continues to decline across Europe. The European Union 2010 target to halt and reverse the loss of biodiversity was missed by all of the Member States. I'm taking bets on the 2020 targets. South American rain forest is still being lost and, in a dismal view of the future, will be found in little fragments surrounded by intensive cattle agriculture... just like the former forest and woodland in most of north west Europe. Maybe its time for a bit more reality...

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